Argumentative Essay on Euthanasia free essay sample

Every year millions of people are diagnosed with terminal illnesses or injuries. Most suffer long and agonizingly painful deaths. While medication may ease the pain temporarily, the long term agony is unrelenting. In the United States the idea of euthanasia has long been a moral and political fire storm. Webster’s dictionary defines euthanasia as, †the act or practice of killing or permitting the death of hopelessly sick or injured individuals (as persons or domestic animals) in a relatively painless way for reasons of mercy. No one with any compassion wants the sick and dying to suffer. The key phrase is â€Å"the sick and dying†. The act of mercifully killing the sick and dying is exactly what euthanasia entails. There are many people who disagree with this idea. They feel that no one has the right to end a person’s life, not even the dying person. These people believe that life is sacred and only God can decide when it is time to go, and how. We will write a custom essay sample on Argumentative Essay on Euthanasia or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page This is great in theory, but in reality the question should be asked, when does a person die? For instance, take the case of Terry Schiavo, a Florida woman whose case caused a true national debate about the topic of euthanasia and even more so, started the debate as to when a person is considered dead. In February of 1990, twenty-six year old Schiavo suffered a massive cardiac event which, due to lack of oxygen, caused her to suffer massive brain damage. After she spent two months in a coma, her diagnosis was changed to persistent vegetative state. After much rehabilitation, it was decided that Schiavo would not make any kind of recovery. Her eyes were open. Yes, she could breathe with assistance. Those are the reasons her parents and many others thought she would recover. The problem was that Terry was not there. She was medically brain dead. Having come to terms with the situation, her husband made the decision to remove her feeding tube and with the aid of pain medications allow her to die. It took fifteen years and numerous legal battles as well as presidential interference to the contrary, but in March of 2005, Terry Schiavo died. Opponents say that there could eventually have been a cure for Schiavo’s illness. They still believe that her quality of life was better than what was medically determined. The problem is that they do not have the right to decide what a person’s individual quality of life is. Terry Schiavo’s parents were insistent on keeping Terry with them. They could not let her go. A large portion of the opposition to euthanasia is selfishness. People don’t want to let loved ones go. Take for instance a person making the decision not to be resuscitated if they are dying. In some states a patient’s advanced directive can be waived if the family wishes. This includes do not resuscitate statuses. Patients in hospice care are routinely taken to emergency facilities to receive life saving measures in blatant disregard of their wishes, not to mention the purpose of hospice care. Other forms of Euthanasia involve people who have terminal illnesses and as the illnesses progress, decide they want to die with dignity. It is a person’s right to determine when and where they die. Some don’t see it this way. They feel that people should suffer severe and agonizing pain, and the loss personal dignity because God said so. Of course, this is the most basic rendering of the argument, but that is the gist of it. There are also those of the opinion that the wish to die is motivated by a person’s false guilt of becoming a drain on family and friends when they are not able to take care of themselves. They feel that the mental health of the person can be treated with palliative care, which can work. A major problem with this ideology is that just as a person has the right to self determination and examination, he or she should also have the right to die. If a person has the right to live his or her own life as they see fit, then how can we not afford them the same in death? Yes we can and should as a responsible society attempt to deter mentally ill patients from suicide. That is a different issue entirely. When death is imminent, let them go. No one with an ounce of compassion wants to see a person suffer. We also do not always want to let our loved ones go. We must weigh a person’s wishes against our own fears and beliefs regarding death. We cannot ask the question, â€Å"What would I want to do? † or â€Å"How would I feel? † It is not you who is dying. It is someone else. ?

Offendotron and Microagression

Offendotron and Microagression Offendotron and Microagression Offendotron and Microagression By Maeve Maddox New words for me this week are offendotron and microagression. Both relate to a much-discussed topic: giving and taking offense. I found the word offendotron in an article by Martin Daubney. I couldn’t find it in either the OED or Merriam-Webster, but the Urban Dictionary defines it: offendotron: Person offended by anything, however innocuous. Like offendotron, microaggression has yet to make it into my big dictionaries, but unlike the O word, microaggression already enjoys wide use. According to an article on the blog Ricochet, the Student Government Association at Ithaca University in upstate New York, â€Å"concerned about the problem of microaggression,† is considering the creation of a tracking system â€Å"that students can use to anonymously report incidents of perceived bias on campus.† The word was coined by Harvard professor Chester Pierce in 1970 as a term for â€Å"the insults and dismissals† inflicted on black Americans by non-black Americans. Since then, the meaning has been expanded to include sexist and other remarks: The concept of microaggression has leapt from the shadows of academic writing into the bright light of general conversation, especially in the wake of widely consulted work by professors Derald Wing Sue and Madonna Constantine over the last seven or so years. Microaggressions, as these academics describe them, are quiet, often unintended slights- racist or sexist- that make a person feel underestimated on the basis of their color or gender.- John McWhorter, Time Magazine, March 21, 2014. Aggression is an openly hostile act against someone. Aggressors are conscious that they are being offensive. Microaggression, on the other hand, is an act that is not necessarily perceived as hostile by the person who commits it. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Vocabulary category, check our popular posts, or choose a related post below:What Does [sic] Mean?3 Cases of Complicated HyphenationSentence Adverbs

How do theories of leadership provide practical advice on how to be an Essay - 1

How do theories of leadership provide practical advice on how to be an effective leader Discuss, with reference to at least two theories or models of leadership - Essay Example With these transformations, various leadership theories and models have been applied or used. Researchers and experts do not unanimously agree on a solitary leadership style that should be implemented in organizations to achieve success. Rather, they have argued that using or combining different theories based on the wants and needs of an organization will give out the best results. This paper will depict how leadership theories and models provide practical advice on how to be an effective leader. Moreover, transformational leadership theory and path goal theory will be incorporated in the essay. Philosophers and Researchers have studied or engaged in lengthy discussions about the nature of leadership. However, no conclusive facts and evidence exist as to what makes effective leadership (Judge, T. 2004, 36). The different perspectives advocated by researchers on leadership have led to examination of various variables. For example, characters of good leaders, the use of power, leadership models and theories, and the various leadership styles (Gillespie, N. 2004, 600). Historically, leadership definitions majorly focussed on the behaviours of leaders (Yukl, G. 2002, 56). For example, the conduct, values and behaviours of popular ancient Greek and Roman leaders were described in Plutarch’s Parallel Lives. The behaviours of these leaders were used as part of leadership training to subsequent leaders. Machiavelli provided Lorenzo de Medici in the early 16th century with a detailed prescription on how to become an effective leader in his book the prince. Lorenzo de Medici w as a leader in an Italian state/city. James Macgregor examined the leader follower relationship in his book leadership (1978) during the 20th century. The main goal of a transformational leader is to â€Å"transform† an organization or people (Nell, E. 2005, 98). The leader changes their heart, mind, insight, understanding and vision.

Legal Issues Budgets and Administration Essay Example | Topics and Well Written Essays - 750 words

Legal Issues Budgets and Administration - Essay Example 2.) The Fair Labor Standards Act is a federal law which guaranteed worker's right to minimum standards laws. It has defined the 40-hour workweek, set out federal minimum wage, stated the requirements for overtime and placed restrictions on child labor. Hence, the major provisions of the Act are: a.) 29 U.S.C. Section 206 governing employees' minimum wage; b.) 29 U.S.C. Section 207 for number of hours of work; and c.) 29 U.S.C. Section 203 (1) in relation to 29 U.S.C. Section 212 pertaining to child labor. 3.) The Equal Pay Act of 1963 sought to abolish wage differentials based on sex. When the bill was passed, sex discrimination was denounced so that its key components are the following: a.) wages and living standards for employees necessary for their health and efficiency; b.) prevention of the maximum utilization of the available labor resources; c.) tendency to cause labor conflicts, which may impose burden, affect, and obstruct commerce; d.) burdening commerce and the free flow of goods in commerce; and e.) resulting to an unfair means of competition. 4.) Title VII of Civil Rights Act of 1964 simply prohibits discrimination in employment when based on national origin, sex, religion, color, and race. Title VII not only specifically identified specific acts which would constitute violation but provided for recovery of compensatory and punitive damages. In seeking for damages, it conferred jurisdiction upon courts to give injunctive relief in cases of discrimination in public offices and gave authority to the Attorney General institute suits to promote civil rights. 5.) The determination of pay discrimination for dissimilar jobs has become difficult. The usual query is what would be the basis or bases of discrimination when in fact an employee has different qualifications or simply into a dissimilar job from the rest. The fact that employees may have different jobs aside from their personal qualifications may become an issue of discrimination itself. In other words, should discrimination be prohibited when circumstances call for discrimination because of varying qualifications 6.) Not only that discrimination has created trauma in the society, it also created various social implications like earning gaps among sexes and/or races in workplaces. The society has been divided into thinking that women usually are limited as to what they could accomplish as opposed to men. The same is true of men and women of different racial origins perceived to be underachievers, of low intelligence and unproductive. 7.) Social Security is a very extensive government program to the point that people does not know how the program works or how it is financed. People have vague of the fact that they pay taxes to benefit them in the long run and that their benefits are connected to their income. This lack of awareness makes the people hesitant of the real benefits the people will have to receive by the time they needed social security benefits at the time of retirement. 8.) The management system affects the pay objectives in a manner that collection process may be affected due to varying or erratic management policies. 9.) The importance of controlling labor costs is that it gives the employer the idea and awareness of business expense which must match its projected growth and reserve capital. With such control, spending may go beyond the actual

Cognitive science Essay Example for Free

Cognitive science Essay Stylistics is the study and interpretation of texts from a linguistic perspective. As a discipline it links literary criticism and linguistics, but has no autonomous domain of its own. [1][2] The preferred object of stylistic studies is literature, but not exclusively high literature but also other forms of written texts such as text from the domains of advertising, pop culture, politics or religion. [3] Stylistics also attempts to establish principles capable of explaining the particular choices made by individuals and social groups in their use of language, such as socialisation, the production and reception of meaning, critical discourse analysis and literary criticism. Other features of stylistics include the use of dialogue, including regional accents and people’s dialects, descriptive language, the use of grammar, such as the active voice or passive voice, the distribution of sentence lengths, the use of particular language registers, etc. In addition, stylistics is a distinctive term that may be used to determine the connections between the form and effects within a particular variety of language. Therefore, stylistics looks at what is ‘going on’ within the language; what the linguistic associations are that the style of language reveals. * | Early twentieth century The analysis of literary style goes back to Classical rhetoric, but modern stylistics has its roots in Russian Formalism,[4] and the related Prague School, in the early twentieth century. In 1909, Charles Ballys Traite de stylistique francaise had proposed stylistics as a distinct academic discipline to complement Saussurean linguistics. For Bally, Saussures linguistics by itself couldnt fully describe the language of personal expression. [5] Ballys programme fitted well with the aims of the Prague School. [6] Building on the ideas of the Russian Formalists, the Prague School developed the concept of foregrounding, whereby poetic language stands out from the background of non-literary language by means of deviation (from the norms of everyday language) or parallelism. [7] According to the Prague School, the background language isnt fixed, and the relationship between poetic and everyday language is always shifting. [8] Late twentieth century Roman Jakobson had been an active member of the Russian Formalists and the Prague School, before emigrating to America in the 1940s. He brought together Russian Formalism and American New Criticism in his Closing Statement at a conference on stylistics at Indiana University in 1958. [9] Published as Linguistics and Poetics in 1960, Jakobsons lecture is often credited with being the first coherent formulation of stylistics, and his argument was that the study of poetic language should be a sub-branch of linguistics. [10] The poetic function was one of six general functions of language he described in the lecture. Michael Halliday is an important figure in the development of British stylistics. [11] His 1971 study Linguistic Function and Literary Style: An Inquiry into the Language of William Goldings The Inheritors is a key essay. [12] One of Hallidays contributions has been the use of the term register to explain the connections between language and its context. [13] For Halliday register is distinct from dialect. Dialect refers to the habitual language of a particular user in a specific geographical or social context. Register describes the choices made by the user,[14] choices which depend on three variables: field (what the participants are actually engaged in doing, for instance, discussing a specific subject or topic),[15] tenor (who is taking part in the exchange) and mode (the use to which the language is being put). Fowler comments that different fields produce different language, most obviously at the level of vocabulary (Fowler. 1996, 192) The linguist David Crystal points out that Halliday’s ‘tenor’ stands as a roughly equivalent term for ‘style’, which is a more specific alternative used by linguists to avoid ambiguity. (Crystal. 1985, 292) Halliday’s third category, mode, is what he refers to as the symbolic organisation of the situation. Downes recognises two distinct aspects within the category of mode and suggests that not only does it describe the relation to the medium: written, spoken, and so on, but also describes the genre of the text. (Downes. 1998, 316) Halliday refers to genre as pre-coded language, language that has not simply been used before, but that predetermines the selection of textual meanings. The linguist William Downes makes the point that the principal characteristic of register, no matter how peculiar or diverse, is that it is obvious and immediately recognisable. (Downes. 1998, 309) Literary stylistics In The Cambridge Encyclopedia of Language, Crystal observes that, in practice, most stylistic analysis has attempted to deal with the complex and ‘valued’ language within literature, i. e.  Ã¢â‚¬Ëœliterary stylistics’. He goes on to say that in such examination the scope is sometimes narrowed to concentrate on the more striking features of literary language, for instance, its ‘deviant’ and abnormal features, rather than the broader structures that are found in whole texts or discourses. For example, the compact language of poetry is more likely to reveal the secrets of its construction to the stylistician than is the language of plays and novels. (Crystal. 1987, 71). Poetry As well as conventional styles of language there are the unconventional – the most obvious of which is poetry. In Practical Stylistics, HG Widdowson examines the traditional form of the epitaph, as found on headstones in a cemetery. For example: His memory is dear today As in the hour he passed away. (Ernest C. Draper ‘Ern’. Died 4. 1. 38) (Widdowson. 1992, 6) Widdowson makes the point that such sentiments are usually not very interesting and suggests that they may even be dismissed as ‘crude verbal carvings’ and crude verbal disturbance (Widdowson, 3). Nevertheless, Widdowson recognises that they are a very real attempt to convey feelings of human loss and preserve affectionate recollections of a beloved friend or family member. However, what may be seen as poetic in this language is not so much in the formulaic phraseology but in where it appears. The verse may be given undue reverence precisely because of the sombre situation in which it is placed. Widdowson suggests that, unlike words set in stone in a graveyard, poetry is unorthodox language that vibrates with inter-textual implications. (Widdowson. 1992, 4) Two problems with a stylistic analysis of poetry are noted by PM Wetherill in Literary Text: An Examination of Critical Methods. The first is that there may be an over-preoccupation with one particular feature that may well minimise the significance of others that are equally important. (Wetherill. 1974, 133) The second is that any attempt to see a text as simply a collection of stylistic elements will tend to ignore other ways whereby meaning is produced. (Wetherill. 1974, 133) Implicature In ‘Poetic Effects’ from Literary Pragmatics, the linguist Adrian Pilkington analyses the idea of ‘implicature’, as instigated in the previous work of Dan Sperber and Deirdre Wilson. Implicature may be divided into two categories: ‘strong’ and ‘weak’ implicature, yet between the two extremes there are a variety of other alternatives. The strongest implicature is what is emphatically implied by the speaker or writer, while weaker implicatures are the wider possibilities of meaning that the hearer or reader may conclude. Pilkington’s ‘poetic effects’, as he terms the concept, are those that achieve most relevance through a wide array of weak implicatures and not those meanings that are simply ‘read in’ by the hearer or reader. Yet the distinguishing instant at which weak implicatures and the hearer or reader’s conjecture of meaning diverge remains highly subjective. As Pilkington says: ‘there is no clear cut-off point between assumptions which the speaker certainly endorses and assumptions derived purely on the hearer’s responsibility. ’ (Pilkington. 1991, 53) In addition, the stylistic qualities of poetry can be seen as an accompaniment to Pilkington’s poetic effects in understanding a poems meaning. Stylistics is a valuable if long-winded approach to criticism, and compels attention to the poems details. Two of the three simple exercises performed here show that the poem is deficient in structure, and needs to be radically recast. The third sheds light on its content. Introduction Stylistics applies linguistics to literature in the hope of arriving at analyses which are more broadly based, rigorous and objective. {1} The pioneers were the Prague and Russian schools, but their approaches have been appropriated and extended in recent years by radical theory. Stylistics can be evaluative (i. e.judge the literary worth on stylistic criteria), but more commonly attempts to simply analyze and describe the workings of texts which have already been selected as noteworthy on other grounds. Analyses can appear objective, detailed and technical, even requiring computer assistance, but some caution is needed. Linguistics is currently a battlefield of contending theories, with no settlement in sight. Many critics have no formal training in linguistics, or even proper reading, and are apt to build on theories (commonly those of Saussure or Jacobson) that are inappropriate and/or no longer accepted. Some of the commonest terms, e. g. deep structure, foregrounding, have little or no experimental support. {2} Linguistics has rather different objectives, moreover: to study languages in their entirety and generality, not their use in art forms. Stylistic excellence — intelligence, originality, density and variety of verbal devices — play their part in literature, but aesthetics has long recognized that other aspects are equally important: fidelity to experience, emotional shaping, significant content. Stylistics may well be popular because it regards literature as simply part of language and therefore (neglecting the aesthetic dimension) without a privileged status, which allows the literary canon to be replaced by one more politically or sociologically acceptable. {3} Why then employ stylistics at all? Because form is important in poetry, and stylistics has the largest armoury of analytical weapons. Moreover, stylistics need not be reductive and simplistic. There is no need to embrace Jacobsons theory that poetry is characterized by the projection of the paradigmatic axis onto the syntagmatic one. {4} Nor accept Bradfords theory of a double spiral: {5} literature has too richly varied a history to be fitted into such a straitjacket. Stylistics suggests why certain devices are effective, but does not offer recipes, any more than theories of musical harmony explains away the gifts of individual composers. Some stylistic analysis is to be found in most types of literary criticism, and differences between the traditional, New Criticism and Stylistics approaches are often matters of emphasis. Style is a term of approbation in everyday use (that woman has style, etc.), and may be so for traditional and New Criticism. But where the first would judge a poem by reference to typical work of the period (Jacobean, Romantic, Modernist, etc. ), or according to genre, the New Criticism would probably simply note the conventions, explain what was unclear to a modern audience, and then pass on to a detailed analysis in terms of verbal density, complexity, ambiguity, etc. To the Stylistic critic, however, style means simply how something is expressed, which can be studied in all language, aesthetic and non-aesthetic. {6} Stylistics is a  very technical subject, which hardly makes for engrossing, or indeed uncontentious, {7} reading. The treatment here is very simple: just the bare bones, with some references cited. Under various categories the poem is analyzed in a dry manner, the more salient indications noted, and some recommendations made in Conclusions. Published Examples of Stylistic Literary Criticism G. N. Leechs A Linguistic Guide to English Poetry (1969) Laura Browns Alexander Pope (1985) Roy Lewiss On Reading French Verse: A Study in Poetic Form (1982) George Wrights Shakespeares Metrical Art. (1988) Richard Bradfords A Linguistic History of English Poetry (1993) Poem The Architects But, as youd expect, they are very Impatient, the buildings, having much in them Of the heavy surf of the North Sea, flurrying The grit, lifting the pebbles, flinging them With a hoarse roar against the aggregate They are composed of — the cliffs higher of course, More burdensome, underwritten as It were with past days overcast And glinting, obdurate, part of the Silicate of tough lives, distant and intricate As the whirring bureaucrats let in And settled with coffee in the concrete pallets, Awaiting the post and the department meeting — Except that these do not know it, at least do not Seem to, being busy, generally. So perhaps it is only on those cloudless, almost Vacuumed afternoons with tier upon tier Of concrete like rib-bones packed above them, And they light-headed with the blue airiness Spinning around, and muzzy, a neuralgia Calling at random like frail relations, a phone Ringing in a distant office they cannot get to, That they become attentive, or we do — these Divisions persisting, indeed what we talk about, We, constructing these webs of buildings which, Caulked like great whales about us, are always. Aware that some trick of the light or weather Will dress them as friends, pleading and flailing — And fill with placid but unbearable melodies Us in deep hinterlands of incurved glass.  © C. John Holcombe 1997 Metre Though apparently iambic, with five stresses to the line, the metre shows many reversals and substitutions. Put at its simplest, with: / representing a strong stress \ representing a weak stress x representing no stress, and trying to fit lines into a pentameters, we have -| /| x| x| x| /| -| \| x| /| x| | But| as| youd| ex| pect| | they| are| ve| ry| x| /| x| x| /| x| /| x| \| x| x| Im| pat| ient| the| build| ings,| hav| ing| much| in| them| x| x| \| x| /| x| x| \| /| /| x x| Of| the| heav| y| surf| of| the| North| Sea,| flurr| ying| x| /| -| /| x| x| /| x| /| x| \| The| grit,| | lift| ing| the| pebbl| es,| fling| ing| them| \| x| /| -| /| x| \| x| /| x| \| With| a| hoarse| | roar| a| gainst| the| agg| re| gate| x| \| x| /| \| x| /| /| x| x| /| They| are| com| posed| of,| the| cliffs| high| er| of| course| \| /| x| \| -| /| x| / | x| \| | More| burd| en| some,| | un| der| writ| ten| as| | x| /| x| /| -| /| -| /| x| /| | It| were| with| past| | days| | o| ver| cast| | x| /| x| \| /| x| \| -| /| x| x| And | glit| ter| ing,| ob| du| rate,| | part| of| the| -| /| x x x| /| -| /| -| /| x x| /| x x| | Sil| icate of| tough| | lives| | dist| ant and| in| tricate| -| \| x| /| x| /| x| \| -| /| x| | As| the| whir| ring| bu| reau| crats| | let| in| x| /| x x| /| x| \| x| /| x| /| x| And | set| tled with| cof| fee| in| the| con| crete| pal| lets| x| /| x x| /| x| \| x| /| x| /| x| A| wait| ing the| post| and| the| de| part| ment| meet| ing| x| \| x| /| \ x | /| x| x| \| /| x| Ex| cept| that| these| do not| know| it, | at| least| do| not| -| /| x| /| x| /| x| /| x| \| x| | Seem| to| be| ing| bus| y| gen| ER| all| y| \| x| /| x x| /| x| \| x| /| x| /| x| So| per| haps| it is| on| ly| on| those| cloud| less| al| most| -| /| x| /| x| \| x| /| x x| \| /| x| | Vac| uumed| af| ter| noons| with| ti| ER u| pon| ti| ER| x| /| x| \| /| /| -| /| x| /| x| | Of| con| Crete| like| rib| bones| | packed| a| bove| them| | x| /| \| /| x| \| x| /| /| x| \| | And | they| light| head| ed,| with| the| blue| air| i| ness| | -| /| x x| /| x| /| x| \| x| /| x x| | | Spin| ning a| round| and| muz| zy,| a| neu| ral| gia| | -| /| x x| /| x x| /| x| /| x x| /| | | Cal| ling at| ran| dom like| frail| re| lat| ions a| phone| | -| /| x x x| /| x| /| x x| /| x| /| x| | Ring| ing in a| dist| ant| of| fice they| can| not| get| to| x| /| x| /| x| /| x x| /| /-| \| | That| they| be| come| at| ten| tive, or| we| do| these| | x| /| x x| /| x x| /| \| x| /| x| /| Di| vis| ions per| sist| ing, in| deed| what| we| talk| a| bout| -| /| x| /| x x| /| x| /| x| \| | | We,| con| struct| ing these| webs| of| build| ings| which| | -| /| x| /| \| /| x| /| x x| /| x| | Caulk| Ed | like| great| whales| a| bout| us are| al| ways| x| /| x x| /| x x| /| x| /| x| | | A| ware| that some| trick| of the| light| or| weath| ER| | | \| /| x x| /| -| /| x x| /| x| | | Will| dress| them as| friends| | plead| ing and| flail| ing| | | x| /| x| /| x| \| x| /| x x| /| x x| And| fill| with| plac| id| but | UN| bear| able | mel| odies| -| /| x| \| -| /| x x x| /| \| /| | | Us | in| deep| | hint| erlands of| in| curved| glass| | Poets learn to trust their senses, but even to the experienced writer these (tedious) exercises can pinpoint what the ear suspects is faulty, suggest where improvements lie, and show how the metre is making for variety, broad consistency, shaping of the argument and emotive appeal. Though other scansions are certainly possible in the lines above, the most striking feature will remain their irregularity. Many lines can only roughly be called pentameters; Lines 16 and 17 are strictly hexameters; and lines 27 and 28 are tetrameters. In fact, the lines do not read like blank verse. The rhythm is not iambic in many areas, but trochaic, and indeed insistently dactylic in lines 9 and 10, 21 and 22 and 28. Line 27 is predominantly anapaestic, and line 3 could (just) be scanned: x x| / x| /| x x \| /| | /| x x | Of the| heavy| surf| of the North| Sea| | flurr| ying| Reflective or meditative verse is generally written in the iambic pentameter, and for good reason — the benefit of past examples, readers expectations, and because the iambic is the closest to everyday speech: flexible, unemphatic, expressing a wide range of social registers. Blank verse for the stage may be very irregular but this, predominantly, is a quiet poem, with the falling rhythms inducing a mood of reflection if not melancholy. What is being attempted? Suppose we set out the argument (refer to rhetorical and other analyses), tabbing and reverse tabbing as the reflections as they seem more or less private: {8} 1. But, as youd expect, 2. they are very impatient, the buildings, 3. having much in them of the heavy surf of the North Sea, 4. flurrying the grit, 5. lifting the pebbles, 6. flinging them with a hoarse roar against the aggregate they are composed of — the 7. cliffs higher of course, more 8. burdensome, 9. underwritten as it were with past days 10. overcast and glinting, 11. obdurate, 12. part of the silicate of tough lives, 13. distant and intricate as 14. the whirring bureaucrats 15. let in and settled with coffee in the concrete pallets, awaiting the post and the department meeting — 16. except that these do not know it, 17. at least do not seem to, being busy, 18. generally. 19. So perhaps it is only on those cloudless, almost vacuumed afternoons with tier upon tier of concrete like rib — bones packed above them, and 20. they light-headed 21. with the blue airiness spinning around, and 22. muzzy, a 23. neuralgia calling at random like 24. frail relations, a 25. phone ringing in a distant office they cannot get to, that 26. They become attentive, 27. or we do — 28. these divisions persisting, 29. indeed what we talk about, 30. we, constructing these webs of buildings which 31. caulked like great whales about us, are 32. always aware that some trick of the light or weather will dress them as friends, 33. pleading and flailing — and 34. fill with placid but unbearable melodies 35. us in deep hinterlands of incurved glass. The structure should now be clear. Where Eliot created new forms by stringing together unremarkable pentameters, {8} this poem attempts the reverse: to recast an irregular ode-like structure as pentameters. And not over-successfully: many of the rhythms seemed unduly confined. But once returned to the form of an eighteenth century Pindaric ode, however unfashionable today, the lines regain a structure and integrity. Each starts with a marked stress and then tails away, a feature emphasized by the sound patterns. {9} Sound Patterning To these sound patterns we now turn, adapting the International Phonetic Alphabet to HTML restrictions: 1. But | as | youd | expect | u | a | U | e e | b t | z | y d | ksp kt | 2. They | are | very | impatient | the | buildings | A | a(r) | e E | i A e | e | i i | th | | v r | mp sh nt | th | b ld ngz | 3. Having | much | in | them | of | the | heavy | surf | of | the | North | Sea | a i | u | i | e | o | e | e | e(r) | o | e | aw | E | h v ng | m ch | n | th m | v | th | h v | s f | v | th | n th | s | 4. flurrying | the | grit | u E i | e | i | fl r ng | th | gr t | 5. lifting | the | pebbles | i i | e | e | l ft ng | th | p b lz | 6. flinging | them | with | a | hoarse | roar | against | the | aggregate | they | are | composed | of | i i | e | i | e | aw | aw | e A | e | a E A | A | a(r) | o O | o | fl ng ng | th m | w th | | h s | r | g nst | th | gr g t | th | | k MP zd | v | 7. the | cliffs | higher | of | course | more | e | i | I e | o | aw | aw | th | kl fs | h | v | s | m | 8. burdensome | u(r) e e | b d ns m | 9. underwritten | as | it | were | with | past | days | u e i e | a | i | (e)r | i | a(r) | A | nd r t n | z | t | w | w | p st | d z | 10. overcast | and | glinting | O e(r) a(r) | a | i i | v k St | nd | gl NT ng | 11. obdurate | o U A | bd r t | 12. part | of | the | silicate | of | tough | lives | (a)r | o | e | i i A | o | u | I | p t | f | th | s l k t | v | t f | l vz | 13. distant | and | intricate | i a | a | i i e | d St NT | nd | NT r k t | 14. as | the | whirring | bureaucrats | a | e | e(r) i | U O a | z | th | w r ng | b r kr ts | 15. let | in | and | settled | with | coffee | in | the | concrete | pallets | e | i | a | e ie | i | o E | i | e | o E | a e | l t | n | nd | s tl d | w th | k f | n | th | k Kr t | p l Ts | awaiting | the | post | and | the | department | meeting | e A i | e | O | a | e | E e | E i | w t ng | th | p St | nd | th | d p tm NT | m t ng | 16. except | that | these | do | not | know | it | e e | a | E | U | o | O | i | ks pt | th | th z | d | n t | n | t | 17. at | least | do | not | seem | to | being | busy | a | E | U | o | E | U | E i | i E | t | l St | d | n t | s m | t | b ng | b z /td | 18.generally | e e a E | j nr l | 19. so | perhaps | it | is | only | on | those | cloudless | almost | vacuumed | afternoons | O | e(r) a | i | i | O | o | O | ou e | aw O | a U | a(r) e oo | s | p h ps | t | z | nl | n | th z | kl dl s | lm St | v k md | ft n nz | with | tier | upon | tier | of | concrete | like | rib | bones | packed | above | them | and | i | E e(r) | e o | E e(r) | o | o E | I | i | O | a | e u | e | a | w th | t | p n | t | v | k nkr t | l k | r b | b nz | p Kt | b v | th m | nd | 20. they | light | headed | A | I | e e | th | l t | h d d | 21. with | the | blue | airiness | spinning | around | and | i | e | U | (A)r i e | i i | e ou | a | w th | th | bl | r n s | sp n ng | r nd | nd | 22. muzzy | a | u E | e | m z | | 23. neuralgia | calling | at | random | like | U a E a | aw i | a | a o | I | n r lj | k l ng | t | r nd m | l k | 24. frail | relations | a | A | e A e | e | fr l | r l zh nz | | 25. phone | ringing | in | a | distant | office | they | cannot | get | to | that | O | i i | i | e | i a | o i | A | a o | e | oo | a | | f n | r ng ng | n | | d St NT | f s | th | k n t | g t | t | th | | 26. they | become | attentive | A | E u | a e i | th | b k m | t NT v | 27. or | we | do | aw | E | oo | | w | d | 28. these | divisions | persisting | E | i i e | e(r) i i | th z | d v zh nz | p s St ng | 29. indeed | what | we | talk | about | i E | o | E | aw | e ou | in d | wh t | w | t k | b t | 30. we | constructing | these | webs | of | buildings | which | E | o u i | E | e | o | i i | i | w | k nz str Kt ng | th z | w bs | v | b ld ngz | wh Ch | 31. caulked | like | great | whales | about | us | are | aw | I | A | A | e ou | u | a(r) | k kd | l k | gr t | w lz | b t | s | | 32. always | aware | that | some | trick | of | the | light | or | weather | will | dress | them | as | friends | aw A | e (A)r | a | u | i | o | e | I | aw | e e(r) | i | e | e | a | e | lw z | w | th t | s m | tr k | v | th | l t | | w th | w l | dr s | th m | z | Fr ndz | 33. pleading | and | flailing | E i | a | A i | pl d ng | nd | fl l ng | 34. will | fill | with | placid | but | unbearable | melodies | i | i | i | a i | u | u A(r) a e | e O E | f l | w th | PL s d | b t | n b r b l | m l d z | | 35. us | in | deep | hinterlands | of | incurved | glass | u | i | E | i e a | o | i e(r) | a(r) | s | n | d p | h NT l ndz | v | nk v d | GL s | Sound in poetry is an immensely complicated and contentious subject. Of the seventeen different employments listed by Masson {10} we consider seven: 1. Structural emphasis All sections are structurally emphasized to some extent, but note the use (in decreasing hardness) of * plosive consonants in sections 1, 5, 6, 7, 10-13, 19, 28-50; 31 and 35. * fricative and aspirate consonants in sections 2, 3, 6, 7, 12, 19, 25, 28, 32, 35. * liquid and nasal consonants in sections 3, 4, 12, 15, 17, 18, 19, 21, 23, 31-35. Also: * predominance of front vowels — in all sections but 6, 7, 11, 16, 17, 19 and 31. * predominance of vowels in intermediate positions — only sections 16 and 17 having several high vowels and section 3 low vowels. 2. Tagging of sections Note sections 1, 7, 13 and 15. 3. Indirect support of argument by related echoes * Widely used, most obviously in sections 3-7, 12-13, and 15. 4. Illustrative mime: mouth movements apes expression * Sections 2, 6, 11-13, 19, 31 and 35. 5. Illustrative painting * Sections 3-6, 10-13, 15, 19 and 33. Most sections are closely patterned in consonants. Those which arent (and therefore need attention if consistency is to be maintained) are perhaps 8, 9, 14, 18, 20, 22, 24, 26 and 27. Originally the poem was cast in the form of irregular pentameters. But if this is set aside in favour of the 35 sections listed above, how are these sections to be linked in a self-evident and pleasing form? A little is accomplished by alliteration: * f in sections 3 to 7. * s and t in sections 12 to 15 * w in sections 29 to 32 And also by the predominance of front and intermediate level vowels, but these do not amount to much. Certainly we do not find that the overall shaping of the poem emphasizes the argument or content. Sociolinguistics Language is not a neutral medium but comes with the contexts, ideologies and social intentions of its speakers written in. Words are living entities, things which are constantly being employed and only half taken over: carrying opinions, assertions, beliefs, information, emotions and intentions of others, which we partially accept and modify. In this sense speech is dialogic, has an internal polemic, and Bakhtins insights into the multi-layered nature of language (heteroglossia) can be extended to poetry. {11} Much of Postmodernist writing tries to be very unliterary, incorporating the raw material of everyday speech and writing into its creations. This poem seems rather different, a somewhat remote tone and elevated diction applying throughout. Let us see whats achieved by grouping under the various inflections of the speaking voice. * urgently confidential But, as youd expect, cliffs higher, of course, that they become attentive or we do * obsessively repetitious flurrying the grit, lifting the pebbles, flinging them burdensome, underwritten overcast and glinting, obdurate * over-clever silicate of tough lives  distant and intricate constructing these webs of buildings distracted and/or light-headed except that these do not know it at least do not seem to with the blue airiness spinning around calling at random like frail relations * melancholic and/or reflective some trick of the light or weather will dress them as friends pleading and flailing and fill with placid but unbearable melodies. The exercise hardly provides revelation. Heteroglossia is an interweaving of voices, moreover, not shifts of tone or reference. And yet there is something very odd about the opening line. Why should we expect the buildings to be very impatient? This is more than the orators trick of attracting attention, since the animate nature of buildings and their constituents is referred to throughout the poem. To be more exact, the attitude of the inhabitants — observers, bureaucrats, architects — to the buildings is developed by the poem, and is paralleled by the tone. But why the confidential and repetitious attitude at the beginning. Why should we be buttonholed in this manner? Why the But, which seems to point to an earlier conversation, and the urgency with which that earlier conversation is being refuted or covered up? Because the blame for something is being shifted to the buildings. What error has been committed we do not know, but in mitigation we are shown the effect of the buildings on other inhabitants. Or perhaps we are. In fact the whirring bureaucrats seem to grow out of the fabric of buildings, and we do not really know if the we, constructing these webs of buildings is meant literally or metaphorically. The poems title suggests literally, but perhaps these constructions are only of the mind: sections 17, 20-29, 32 and 34 refer to attitudes rather than actions, and there is an ethereal or otherworldly atmosphere to the later section of the poem. So we return to heteroglossia, which is not simply borrowed voices, but involves an internal polemic, {12} that private dialogue we conduct between our private thoughts and their acceptable public expression. The dialogue is surely here between the brute physicality of a nature made overpoweringly real and the fail brevity of human lives. That physicality is threatening and unnerving. If the we of the later section of the poem is indeed architects then that physicality is harnessed to practical ends. If the constructing is purely mental then the treatment is through attitudes, mindsets, philosophies. But in neither case does it emasculate the energy of the physical world. Architects may leave monuments behind them, but they are also imprisoned in those monuments (us in deep hinterlands) and hearing all the time the homesick voice of their constituents. Conclusions: Suggested Improvements The greatest difficulty lies in the poems structure. An pentameter form has been used to give a superficial unity, but this wrenches the rhythm, obscures the sound patterns and does nothing for the argument. If recast in sections defined by rhythm and sound pattern the form is too irregular to have artistic autonomy. A return could be made to the eighteenth century Pindaric ode in strict metre and rhyme, but would require extensive and skilful rewriting, and probably appear artificial. A prose poem might be the answer, but the rhythms would need to be more fluid and subtly syncopated. Otherwise, blank verse should be attempted, and the metre adjusted accordingly. The internal polemic is a valuable dimension of the poem, but more could be done to make the voices distinct. http://www. textetc. com/criticism/stylistics. html1. On StylisticsIs cognitive stylistics the future of stylistics? To answer this question in the essay that follows, I will briefly discuss Elena Semino and Jonathan Culpeper’s Cognitive Stylistics (2003), Paul Simpson’s Stylistics (2004), and a recent essay by Michael Burke (2005). However, because questions are like trains – one may hide another – any discussion of the future of stylistics raises intractable questions about stylistics itself. French students of stylistics, for example, will come across definitions of the discipline like the following. According to Brigitte Buffard-Moret, â€Å"si les definitions de [la stylistique] – que certains refusent de considerer comme une scien

Basic Structure Of A Computer System Computer Science Essay

Basic Structure Of A Computer System Computer Science Essay A computer is an electronic device capable of manipulating number and symbols, first taking input, processing it, storing and giving out output under a control of set instructions which is known as a program. A general purpose computer requires the following hardware components: memory, storage device (hard disk drive), input device (keyboard, mouse etc.), output device (screen, printer etc.) and central processing unit (CPU). Many other components are involved in addition to the listed components to work together efficiently. Computers can be classified by size and power as follows: Personal computer: Personal computers are small computers based on a microprocessor. A personal computer has a keyboard for inputting data, a monitor for output and a storage device for saving data. Workstation: workstations are usually powerful than a personal computer. It has more powerful microprocessor and a higher-quality monitor. Minicomputer: Mini computers are multi-user computer capable of supporting from 10 to hundreds of users simultaneously. Mainframe computer: Mainframe computers are powerful multi-user computer capable of supporting many hundreds or thousands of users simultaneously. Super computer: Super computers are extremely fast computers that can perform hundreds of millions of instructions per second. MAIN REPORT COMPUTER SYSTEM A computer system can be represented using the following block diagram: CPU Bus Interface Timing and Control Address Bus ALU I/O RAM ROM Keyboard Mouse etc. Data Bus Control Bus Clock The CPU is can be expanded into three main parts: The ALU (Arithmetic and Logic Unit), The Bus interface Unit, and The Control Bus. The clock is an electronic circuit that gives regular pulses to the CPU. Faster clock speeds means more pulses to the CPU and the instructions are stepped through faster. The memory chip contains millions of separate memory stores and each of these locations has a unique number. This is known as memory address. The CPU stores data at any of these addresses and fetch the content back when required. RAM stands for Random Access Memory. These chips store the instructions for running the operating system and any computer application. This memory also stores all the data that is being worked on. RAM is a volatile memory which means that it only stores data while the computer remains switched on. When switched off, it loses all the stored data. ROM (Read Only Memory) on the other hand is a chip with program instructions permanently burned into it. The content is not lost even if the machine is switched off. The CPU can either fetch data from or write data when the appropriate memory location is accessed. Such data is transferred from the CPU to the memory location along the Data Bus. The control Bus is a set of tracks on the computers motherboard that run from the CPU to the devices and works under the direction of the CPU. LOGIC GATES Logic gates perform logical operation on one or more logic inputs and produce a single logic output. It processes signals which represent true or false. It is called Boolean logic and is most commonly used in digital circuits. Logic gates are identified by their function: NOT, AND, NAND, OR, NOR, EX-OR and EX-NOR and they are usually represented by capital letters. Logic Gate Symbols There are two series of symbols for logic gates: the traditional symbols which have distinctive shapes making them easy to recognise so they are widely used, and the International Electro technical Commission (IEC) symbols which are rectangles with a symbol inside to show the gate function. Traditional Symbols Source: http://www.kpsec.freeuk.com/gates.htm IEC Source: http://www.kpsec.freeuk.com/gates.htm Inputs and Outputs All Gates except a NOT gate have two or more inputs. A NOT gate has only one input and all gates have only one output. In the following figure, A and B are inputs and Q is the output. Source: http://www.kpsec.freeuk.com/gates.htm Other types of gate used are NOT gate, AND gate, NAND (NOT AND) gate, OR gate and NOR (NOT OR) gate. Truth tables A truth table is a good way to show the function of a logic gate. It shows the output states for every possible combination of input states. The symbols 0 (false) and 1 (true) are usually used in truth tables. The example truth table on the right shows the inputs and output of an AND gate. Input A Input B Output Q 0 0 0 0 1 0 1 0 0 1 1 1 Computer numbering system Humans speak to one another in a particular language and we use different words and letters. Although we type words and letters in the computer, the computer translates those words and letters into numbers. Computers talk and understand in numbers. Those number systems are: Decimal, Hexadecimal, and Binary. The Decimal Number System is the system is most frequently used in arithmetic and in everyday life. The decimal number system is also known as the base 10 number system as the position in the number represents an incremental number with a base of 10. Each position only contains a number between 0 and 9. The Hexadecimal number system is used to represent memory addresses or colours. It is also known as the base 16 number system, because each position in the number represents an incremental number with a base of 16. Since the number system is represented in 16s, there are only 10 numbers and 5 letters (A to F). The Binary number system is used by most machines and electrical devices to communicate. It is also known as the base 2 number system, because each position in the number represents an incremental number with a base of 2. Since it is represented it 2s, there are only 2 numbers that can be a value in each position 0 or 1. CPU COMPONENTS The CPU is the intelligence of the machine but it needs a pre-written program to create, use and modify the data. If the computer needs to compare two numbers, or add two numbers, this is carried out inside the CPU and the numbers have to be fetched into the CPU from the computers memory chip. The three main components of CPU are: Arithmetic logic Unit (ALU), Bus Interface unit, and the Control Bus. Arithmetic Logic Unit (ALU) carries out all the calculations and decision making tasks. The ALU uses devices called gates that receive one or more inputs and based up what function they are designed to perform, outputs a result. The basic operations of an ALU include adding and subtracting binary values as well as performing logical operations such as AND, NOT, OR AND XOR. The Bus Interface Unit takes the data to and from the CPU which is held inside internal registers (small memory stores) along the external Data Bus to read and write memory and devices. The Data Bus carries information in both directions. The Bus Interface Unit also places the required location addresses on the Address Bus, so that the required devices can be accessed for reading or writing. The Control Bus is the physical connection that carries control information between the CPU and other devices within the computer. It decodes all program instructions and dictates all the CPUs control and timing mechanisms. It sends out the read and write signals on the Control Bus. COMPUTER MEMORY The computer has to temporarily store the program and data in an area where it can be used by the computers processor to work. This area is known as the computers memory. It consists of computer chips that are capable of storing information. These information could be: the operating system (e.g. DOS, windows etc.), the instruction of the program to run (e.g. a database or a drawing program), or the data that is used or created (e.g. letters from word-processing or records from a database). There are different types of memory used in a computer system. They are: Cache memory, Random Access Memory (RAM), Read Only Memory (ROM), and Virtual Memory. Cache memory is extremely fast memory that is built into a computers CPU (L1 cache) or in some cases located next to it on a separate chip (L2 cache). L1 cache is faster than L2 cache as it is built into the CPU. These days, newer computer come with L3 cache which is faster than RAM but slower than L1 and l2 cache. Cache memory is used to store instructions that are repeatedly required to run programs and helps to improve overall system speed. The reason it is so fast is that the CPU does not have to use the motherboards system bus for data transfer. Random Access Memory (RAM) is the memory chip that consists of a large number of cells, each cell having a fixed capacity for storing data and unique address. RAM is a volatile memory which means all the programs and data in the memory is lost when the machined is switched off. There are different types of RAM modules available such as SODIMM, SDRAM, DDR, DDR2 and DDR3. SODIMM are used for laptops whereas the rest are used for desktop computers. Read Only Memory (ROM) is a memory chip in which the program instructions are permanently burned into. It is non-volatile which means its content is not lost even when the machined is switched off. It is used to store some of the system programs that keep the computer running smoothly. For example computer BIOS (basic input out system) is stored on the ROM. There are different types of ROM available such as Programmable ROM (PROM), Erasable Programmable ROM (EPROM), and Electrically Erasable Programmable ROM (EEPROM). Virtual Memory is a part of most operating system. It is used when the amount of RAM is not enough to run all the programs. If the operating system, an email program, a web browser, a word processor, a Photoshop application are loaded into the RAM simultaneously, the RAM will not be able to handle all applications and thus the computer looks at RAM for areas that have not been used recently and copies them onto the hard drive. This frees up space in RAM to load new application. But because the read/write speed of a hard drive is much slower than that of RAM, the performance is not satisfactory. It is not recommended to use virtual memory as it is slow. The solution to this problem would be to upgrade the memory. SYSTEM SOFTWARE A computer system is not complete without system software. For a computer to perform any tasks, both software and hardware are equally important. System software gives life to hardware. System softwares are the files and programs that make up a computers operating system. It includes libraries of functions, system services, driver for hardwares, system preferences, and other configuration files. System software comprises of Assembler, Debugger, Compilers, Operating System, File management tools etc. The system software is installed on the computer when the operating system is installed. It can also be updated by running programs such as windows update. The system software is also called low-level software as it runs at the most basic level of the computer. It generates the user interface and allows the operating system to interact with the hardware; however system software is not meant to be run by the end user like application programs. Application programs such as web browser, or Microsoft word is often used by the end user whereas the end user does not use an assembler program unless he/she is a computer programmer. The system software runs in the background and thus the user does not have to worry about what the system software is doing. CONCLUSION In the report, the basic structure of a computer system was described with diagram. Different components such as CPU, memory, BUS, input/output devices that form a computer system were identified and explained. General ideas about Logic gates were given and different number systems used by computers to represent data were also described. As the CPU is the main part of a computer system, it was further looked into and Arithmetic Logic Unit, Control Bus and Bus interface Unit were discussed. Different types of memory and their uses were explained and the importance of the system software was discussed finally.

Macbeth vs. Holden Caulfield Essay

The longest journey, is the journey of self discovery. To discover ones self, a person must confront things they would rather not and be truthful to themselves. Both characters, Macbeth from William Shakespeare’s The Tragedy of Macbeth, and Holden from J.D. Salinger’s The Catcher in the Rye, embarked on a inward journey of self discovery.Through being emotionally unstable, having contradicting morals, and discovering who they truly are, it is evident that though two different outcomes, they both had a journey of self discovery. Unlike Holden, Macbeth was very emotionally stable at the beginning. He was respected, a devoted husband and a loyal subject to his king. Despite the fact he was so stable at the beginning, Macbeth quickly lost control of his emotions when the three witches confronted him with the three prophecies, which ultimately let the emotions of greed and guilt come over him from the immoral actions he committed In comparison, Holden’s emotional stability was very flaky during the beginning of the novel, but gradually improved during his journey. Holden was very depressed because of the loneliness and isolation he felt, which was ultimately is own fault. From his journey, he slowly started to gain control of his emotions and accepted the truth of his mental illness. He transformed himself completely, and ultimately gained control of himself by finally reaching out for professional help. Holden went from being very angry and upset to accepting his faults and changing his life around. Holden and Macbeth both had morals, but where Holden’s stayed genuine and true, Macbeth’s fell apart. At the beginning, Macbeth was repulsed by the thought of killing the King, but by the end, he was murdering everyone his way. It was LM who first triggered Macbeth’s moral down fall, but Macbeth was the one to completely diregard them. Macbeth had control of his morals but ultimately c hose to go against them to get what he wanted, power. His disregard is clear when he made the decision to kill Banquo because he didn’t want to lose his power to Banquo’s descendants and he was starting to become suspicious. Unlike MB Holden’s morals were challenged multiple times but he over came the  obstacles. Yet the driving force behind much of his decision making is a sense of morals that is at times twisted but is always present. One of Holden’s main concerns is the fact that the world around him appears to be losing its morality and the people are all phony, all incapable of following the moral code that Holden insists on placing on those around him. He is worried about even the smallest things like the foul language scrawled on the walls at the museum. The title of the book reflects his desire to be the catcher in the rye, to prevent children from running over the edge of the field and hurting themselves. So despite his inability to recognize morality in others, like Mr. Antolini, somewhere inside Holden there is a deep sense of morals and a strong desire not just to follow them but to have others follow them as well. Macbeth and Holden both embarked on a journey of self discovery, where they discovered who they truly were. Macbeth discovered the horror of the crimes he comitted and that the power he was once thought was everything, actually meant nothing.Macbeth started off with an abundance of friends, however, he ended with a whole bunch of enemies. Though he only came to realize it at the end of the play, his actions destroyed his respect and honour and led to his death bed. Before he was killed, Macbeth had reflected on his life, and he started to understand the full extent of what he did and the consequences his actions were going to have.Unlike Macbeth, Holden’s journey lead to a positive ending where he accepted himself and started on the road to recovery. Throughout the entire novel, it was evident that Holden was very depressed. He had no hope for his future, as he expressed to his history teaher Mr. Spencer, and he believed he was headed no where in life. Holden was kicked out of numerous schools and it was not until after his New York adventure that he went on an unitentional road of self-discovery. Holden was clearly in pain over his brothers death, pain that he was yet to deal with. As the book progressed, Holden gradually matured into a strong and indepent individual. He developed stronger relationships with Phoebe, his brother DB and a few others like Jane, and he finally allowed himself to accept his faults and accept the reality that no one is perfect. His breakdown turned  into a major breakthrough, which changed his life in a positive way. Macbeth and Holden both discovered who they truly were, one greedy and power seeking, and the other a strong and indepent person who had to deal with a great loss. Both The Tradgey of Macbeth and The Catcher in the Rye tell a story of great self discovery. Macbeth from good to evil, and Holden bad to good. Through their emoitional stability, contradicting their moral values, and discovering who they truly are, shows the way Holden and Macbeth changed through both the novels.

Discuss Research Into the Nature of Relationships in Different Cultures Essay

Relationships Discuss research into the nature of relationships in different cultures. (9 marks + 16 marks) In Western Cultures, it has been found that relationships are voluntary, temporary and focus on the needs of the individual as due to the predominantly urban settings in which we live in, we are able to (on a daily basis) interact with a large number of people. Western cultures therefore appear to be characterised by a high degree of choice in personal relationships and a greater ‘pool’ of potential relationships. Non-western cultures however, have less choice about whom they interact with on a daily basis, meaning that interaction with strangers are rare and relationships are frequently tied to other factors, such as family or economic resources. In societies with reduced mobility, (predominantly non-western cultures) arranged marriages are common as love is expected to grow due to the fact that it is not seen as necessary for marriage. Arranged marriages seem to work well and make good sense as divorce rates are low and Epstein (2002) found that perhaps about half of them report that they have fallen in love with each other. Myers et al. , (2005) studied individuals in India living in arranged marriages and found no differences in marital satisfaction in comparison to individuals in non-arranged marriages in the US. This is also supported by Gupta and Singh (1982) who studied 100 degree-educated couples living in India, 50 of who had chosen their partners and 50 of who had their marriages arranged for them. The couples were asked to indicate how much they liked/loved their partners and it was found that love and liking was high in love marriages but decreased whereas love increased in arranged marriages and after 10 years exceeded love marriages. However, this study is difficult to generalise as it studies only a small sample and so cannot be generalised to the wider population. It therefore lacks validity. However, in some adapting cultures such as China, there has been a noticeable increase in ‘love matches’ as the Chinese are currently attempting to move away from traditional ‘arranged’ marriages. Instances in which parents dominate the process of partner choice in china have declined from 70% prior to 1949, to less than 10% in the 1990s. Xioahe and Whyte (1990) studied women in love marriages and found that they were more satisfied than those in arranged marriages. Western cultures are also seen as individualistic due to their focuses on individuals rather than groups, with individual happiness and pleasure seen as fundamentally important. On the other hand, non-western cultures are seen as collectivist cultures as people are encouraged to be interdependent rather than independent. Moghaddam et al. (1993) claim that the cultural attitudes of individualist cultures, are consistent with the formation of relationships that are based on freedom of choice, whereas collectivism leads to relationships that may have more to do with the concerns of family or group. Norms and rules act as guidelines for behaviour and influence how we act out any given relationship. One such norm that plays a key part in personal relationships is the norm of reciprocity. Ting-Toomey (1986) found that in individualist cultures, reciprocity in personal relationships tend to be voluntary. In collectivist cultures however, it is more obligatory. In such cultures, failure to return a favour is seen as a failure of one’s moral duty. In Japanese culture, for example, there are specific rules about gift-giving and reciprocating, whereas n such formal norms exist in Western cultures. Argyle et al. ’s cross-cultural comparison of relationship rules in different cultures did find support for some predictions but failed to support others. However, a problem with this research is that the list of rules was formulated in the UK and may have failed to include rules that are specific to a particular culture such as Japan. Research on cross-cultural differences in norms and rules is important to be able to conduct cross-cultural relationships successfully. Knowledge of the norms and rules underlying cross-cultural relationships is an important aspect of any attempt to understand and improve relations between different cultural groups within a host country. Finally, relationships are difficult to study scientifically. Laboratory experiments, through the manipulation of isolated variables, are seen as the most rigorous way of establishing cause and effect, and he best way of furthering our understanding of the processes involved in human relationships. However, as Hogg and Vaughan (2008) point out, people do bring their cultural ‘baggage’ into the laboratory. Although cultural background may be seen as a problematic extraneous variable to some researchers, it is clear that culture itself is an important variable that influences the relationship processes being studied.

Neurofibromatosis & Its Genetic Implications Essays - Genodermatoses

Neurofibromatosis & Its Genetic Implications Essays - Genodermatoses Neurofibromatosis & Its Genetic Implications The National Institute of Health defines Neurofibromatoses as group genetic disorders that affects the development and growth of neural cell tissues. These disorders cause tumor growth in nerve tissues, skin changes, and in some cases bone deformities. Of the eight possible subtypes of Neurofibromatosis (NF) at least 85% are represented by NF Type 1, also known as von Recklinghausen or classic peripheral neurofibromatosis. It has a prevalence of about 1:4000 live births. An additional ten percent have NF Type 2, also known as acoustic or central neurofibromatosis and occurs in about 1:50,000 live births (Baskin 1). This paper will deal only with the more prevalent NF Type 1 and focus on the symptoms of the disease and biochemical aspects of the NF1 and the ethical implication of inherited genetic disorders. NF1 is an autosomal dominant inherited disease characterized by multiple caf-au-lait spots, numerous fibromas, and Lisch nodules. Most manifestations appear during childhood and early adult life. Clinical criteria for diagnosing the disease must include two or more of the following symptoms: (1) six or more caf-au-lait spots larger that 5 mm in pre-pubescent individuals and greater than 15 mm is post-pubescent individuals, (2) two or more neurofibromas of any type or one plexiform neurofibroma, (3) axillary or inguinal freckling, (4) sphenoid bone dysplasia, (5) optic glioma, (6) Lisch nodules, and (7) a family history of NF1. Other manifestations include learning disabilities, epilepsy, mental retardation, scoliosis, gastrointestinal neurofibromas, pheochromacytomas, and renal artery stenosis (Goldman 2074). Caf-au-lait spots are pigmented macules of giant melanin granules seen in the basal layer of the epidermis and are distinguished by the presence of more DOPA-positive melanocytes than surrounding skin and a smooth border and light brown color of the macules. Neurofibromas are hamartomatous, a mass of disorganized tissue indigenous to a particular site (Robbins 134), that are composed mostly of Schwann cells, but also contain fibroblasts, mast cells and macrophages. Plexiform neurofibromatoas, large, multilobe pendulous masses, are more deeply situated in large nerves, usually involve the limbs, and are associated with hypertrophy of underlying soft tissues and bones. Lisch nodules, or iris harmartomas, are the most common manifestation of NF1. They are dome shaped, elevated, avascular, melanocytic nodules of the iris with a smooth shape and some translucency (Baskin 1-3). Neurofibromatosis Type I is an autosomal dominant disorder without predilection for sex, race, or color. It shows with complete penetrance with highly variable expression. The gene is located on chromosome 17q and the gene encompasses around 350 kilobases (Goldman 2074). The gene codes for the protein neurofibromine which resembles certain proteins that inactivate oncogenes (Hulsebos 620); thus lacking neurofibromine can lead to an increased disposition to cancer. Although the disorder is inherited, the spontaneous mutation rate is between 2.4 and 4.3 x 10-5 (ncbl.nlm.nih.gov). A predominant paternal derivation suggests that the original mutation occurs in the mitotic divisions that take place during male gametogenesis but not during female gametogenesis. The NF1 gene can show a twelve kilobase deletion involving exons thirty-two through thirty-nine in some cases or a more severe deletion involving a 100 kilobase deletion from exon four near the five prime end of the gene to intron thirty-nine near the three prime end of the gene (nclb.nlm.nih.gov). There does not appear to be any correlation between particular genotypes and phenotypes (Goldman 2074). The sequence of the NF1 gene predicts 2,485 amino acids in the NF1 peptide. The peptide shows some similarity to human GTPase activating protein (GAP). This finding suggests that NF1 codes for a cytoplasmic GAP-like protein that interacts with proteins like the RAS gene product in the control of cell growth in. shows that the tumor suppressing activity of the NF1 protein negatively regulates p21 (RAS) and shows a positive growth role for RAS activity in NF1 tumors. The NF1 gene product neurofibromine contains a GTPase activating protein known as NF1 GRD that downregulates RAS by stimulating intrinsic GTPase. Since RAS and GTP are major regulator molecules in cell growth and differentiation, mutant neurofibromines resulting from somatic mutations in the NF1 gene might interfere with the RAS signaling pathway and thus contribute to the development of tumors (ncbl.nlm.nih.gov). The probability of transmission of NF1 is 50% with each pregnancy,

Free Essays on The Forward

Forward: From Immigrants to Americans â€Å"Bring us your hungry, your tired, your poor.† That was a call that many immigrants heard in the late 1800's and in the early 1900's. So they came, they came to America to find a better home, a new life and to start over. They heard that in America the streets were paved with Gold, and that it was a land of opportunity where you could become whatever you wanted to become. No one in America was poor, it was the greatest land in the whole world. Though the reality in America for immigrants was much different. Not everyone was rich, in fact, most were poor, and this was a new Land they needed somewhere to look for guidance. The Forward, which was founded in April 22, 1897 by Abraham Cahan, fought for social justice, helped generations of immigrant Jews enter American life, and was a way for Yiddish American voices to be heard. Social Injustice abounded everywhere in the Early 1900's and the Forward was there to help the American Worker. One of the biggest stories that only the Forward covered in the early 1900's was the Triangle Shirtwaist Factory fire of 1911. A very tragic story where 146 women and children were killed when a fire broke out the upper floors of the factory. The Workers could not escape because the doors were locked from the outside, so no workers would leave early. So therefore women and children were forced to either be burned alive or to jump to their death from the 8th floor. What a horrible way to die. These sort of stories were not covered by some of the main stream papers like the Sun, or the Globe, but were carried by the Forward. The Forward wanted to be a voice for the working people. It also covered things such as strike rallies and labor conditions in factories. These sort of things were major contributors to working conditions improving so that people today can mak e an honest living in safe working conditions. When the weary and poor first s... Free Essays on The Forward Free Essays on The Forward Forward: From Immigrants to Americans â€Å"Bring us your hungry, your tired, your poor.† That was a call that many immigrants heard in the late 1800's and in the early 1900's. So they came, they came to America to find a better home, a new life and to start over. They heard that in America the streets were paved with Gold, and that it was a land of opportunity where you could become whatever you wanted to become. No one in America was poor, it was the greatest land in the whole world. Though the reality in America for immigrants was much different. Not everyone was rich, in fact, most were poor, and this was a new Land they needed somewhere to look for guidance. The Forward, which was founded in April 22, 1897 by Abraham Cahan, fought for social justice, helped generations of immigrant Jews enter American life, and was a way for Yiddish American voices to be heard. Social Injustice abounded everywhere in the Early 1900's and the Forward was there to help the American Worker. One of the biggest stories that only the Forward covered in the early 1900's was the Triangle Shirtwaist Factory fire of 1911. A very tragic story where 146 women and children were killed when a fire broke out the upper floors of the factory. The Workers could not escape because the doors were locked from the outside, so no workers would leave early. So therefore women and children were forced to either be burned alive or to jump to their death from the 8th floor. What a horrible way to die. These sort of stories were not covered by some of the main stream papers like the Sun, or the Globe, but were carried by the Forward. The Forward wanted to be a voice for the working people. It also covered things such as strike rallies and labor conditions in factories. These sort of things were major contributors to working conditions improving so that people today can mak e an honest living in safe working conditions. When the weary and poor first s...

D2 Assignment Example | Topics and Well Written Essays - 250 words

D2 - Assignment Example In cases where the number ‘10’ acts as the base for common logarithms, e serves the same purpose for natural logarithms. In mathematical terms, where n tends to infinity, e is the limit. The approximation of e provided by Euler was up to eighteen decimal places. However, its numerical value goes beyond those eighteen decimal places. The common aspect of arithmetic and geometric sequences is that there is always a common constant or ratio between any two consecutive terms of the sequences. For example, in case of arithmetic sequence, if the constant of difference between a term and its preceding term is 4, it will be 4 for the whole sequence. Similarly, in case of geometric sequence, if the ratio of difference between a term and its preceding term is 2, it will be 2 for the whole sequence. The difference between arithmetic and geometric sequences is that in an arithmetic sequence, a specific constant is the difference between any term and its preceding term. On the other hand, in case of a geometric sequence, there is always a specific ratio between any term and its preceding

Asssignment Essay Example | Topics and Well Written Essays - 500 words

Asssignment - Essay Example While the archaeologist focuses on the study of material objects to learn about human behavior, the ethnologist concentrates on the study of human behavior as it can be see, experienced and discussed with those whose culture is to be understood. Fundamental to Cintron’s approach is descriptive ethnography. Ethnography is the systematic description of culture based on firsthand observation. Whenever possible, the ethnologist becomes ethnographer by going to live among the people under study. He started the book by sharing a story regarding the collection baskets inside the church. (Page 1). A drunken man entered the house of God and made his way towards halfway to the altar while kneeling and uttering his prayers due to his remorseful state. The churchgoers were surprised with the scenario including the author himself. The commotion and somewhat disturbance of the ongoing religious gathering, the men who wielded the baskets picked up the drunken man and led him outside the church away from the churchgoers who politely and dutifully give donations thru the collection baskets. Aware of his experiences and knowledge, Cintron considers his book as the emptying of the basket (page 3). He stated that he had done his part of wielding the collection basket to people for him to gain insights and thoughts regarding their lives as well as the culture that they dwell in. This collection of reality was organized and documented by Cintron to be able to come up with a well-thought of book that will share the experiences of the people that he interacted with during the wielding of the basket. Cintron wanted to emphasize how ethos is bound up with logos. In other words, the rational argument does not necessarily persuade when reason is made pure. The pure kind of rationality does not exist outside the soup of human affairs. The author stated his Puerto Rican heritage. He was raised in Texas and his parents are both Puerto Ricans. His father was a